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Clementi 作曲家(20 分)
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Clementi 作曲家 Clementi: Op. 36, No. 3: Sonatina in C: 1st Movement 這首曲的背景?
Sonatina是小型的奏鳴曲,這首音樂沒有什麼特別背景,不過曲中顯現了他一些作曲風格,連Debussy, Mozart也樂於採用。也可從他的生平、背景略知一二。 Music 圖片參考：http://upload.wikimedia.org/wikipedia/en/thumb/c/c9/Muzio_Clementi.jpeg/180px-Muzio_Clementi.jpeg Clementi is best known for his freerunning capabilities and his outstanding knowledge of piano studies, Gradus ad Parnassum, to which Debussy's piece Doctor Gradus ad Parnassum (the first movement of his suite Children's Corner) makes playful allusion. Similarly his sonatinas would remain a must for piano students everywhere. Erik Satie, a contemporary of Debussy, would spoof these sonatinas (specifically the sonatina Op. 36 N 1) in his Sonatine Bureaucratique. Clementi composed almost 110 piano sonatas. Some of the earlier and easier ones were reissued as sonatinas after the success of his Sonatinas Op. 36, and continue to be popular practice pieces in piano education. These are not often performed in public concerts, largely because they are seen as non-challenging educational music. However, most of Clementi's sonatas are more difficult to play than those of Mozart, who wrote in a letter to his sister that he would prefer her not to play Clementi's sonatas due to their jumped runs, and wide stretches and chords, which he thought might induce injury. Beethoven, however was a great admirer of the Clementi sonatas and their influence is very evident in his own piano compositions.
其他解答:
Clementi 作曲家(20 分)
發問:
Clementi 作曲家 Clementi: Op. 36, No. 3: Sonatina in C: 1st Movement 這首曲的背景?
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最佳解答:Sonatina是小型的奏鳴曲,這首音樂沒有什麼特別背景,不過曲中顯現了他一些作曲風格,連Debussy, Mozart也樂於採用。也可從他的生平、背景略知一二。 Music 圖片參考：http://upload.wikimedia.org/wikipedia/en/thumb/c/c9/Muzio_Clementi.jpeg/180px-Muzio_Clementi.jpeg Clementi is best known for his freerunning capabilities and his outstanding knowledge of piano studies, Gradus ad Parnassum, to which Debussy's piece Doctor Gradus ad Parnassum (the first movement of his suite Children's Corner) makes playful allusion. Similarly his sonatinas would remain a must for piano students everywhere. Erik Satie, a contemporary of Debussy, would spoof these sonatinas (specifically the sonatina Op. 36 N 1) in his Sonatine Bureaucratique. Clementi composed almost 110 piano sonatas. Some of the earlier and easier ones were reissued as sonatinas after the success of his Sonatinas Op. 36, and continue to be popular practice pieces in piano education. These are not often performed in public concerts, largely because they are seen as non-challenging educational music. However, most of Clementi's sonatas are more difficult to play than those of Mozart, who wrote in a letter to his sister that he would prefer her not to play Clementi's sonatas due to their jumped runs, and wide stretches and chords, which he thought might induce injury. Beethoven, however was a great admirer of the Clementi sonatas and their influence is very evident in his own piano compositions.
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